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Ayana V. Jackson

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  • Ayana V. Jackson, Invisible Threads I, 2025. Courtesy of the artist and Mariane Ibrahim.

    Ayana V. Jackson
    Forbes España

    MANU PIÑÓN, Forbes España, May 30, 2025
  • Ayana V. Jackson, Adelita: She was not only Brave she was Beautiful, 2023. Courtesy of the artist and Mariane Ibrahim.

    Ayana V. Jackson
    El Mundo

    Pablo R. Roces, El Mundo, May 1, 2025
  • Ayana V. Jackson, Freedoms Frail Stranger, 2025. Courtesy of the artist and Mariane Ibrahim.

    Ayana V. Jackson
    Periódico de España

    El Periódico de España, May 1, 2025
  • Ayana V. Jackson, Amelio Robles: In the end he was buried in a dress to make peace with God, 2025. Courtesy of the artist and Mariane Ibrahim.

    Ayana V. Jackson
    La Jornada

    Armando G. Tejeda, La Jornada, April 9, 2025
  • Ayana V. Jackson, Dictatorship (Guerilla), 2013. Courtesy of the artist and Mariane Ibrahim.

    Ayana V. Jackson
    Diptyk Magazine

    Céline Moine, February 12, 2025
  • Ayana V. Jackson, Consider the Sky and the Sea, 2019. Courtesy of the artist and Mariane Ibrahim.

    Ayana V. Jackson
    HTSI Financial Times

    Victoria Woodcock , HTSI Financial Times , December 2, 2023
  • Ayana V. Jackson's 'Anarcha' (2017). Courtesy of Mariane Ibrahim

    Ayana V. Jackson
    Financial Times

    Maya Jaggi, Financial Times, August 18, 2023
  • Ayana V. Jackson, Some People Have Spiritual Eyes II, 2020. Photo : Courtesy of the artist and Mariane Ibrahim Gallery.

    Ayana V. Jackson
    ARTnews

    Shantay Robinson, ARTnews, July 17, 2023
  • Detail from Anarcha by Ayana V Jackson, 2017. Photograph: Courtesy of the Artist and Mariane Ibrahim

    Ayana V. Jackson
    The Guardian

    Charlotte Jansen, The Guardian, July 16, 2023
  • Ayana V Jackson, It is only when you lose your mother that she becomes myth, 2019. Courtesy of Mariane Ibrahim

    Ayana V. Jackson
    The Guardian

    David Smith , The Guardian , May 9, 2023
  • Courtesy of Ayana V. Jackson (left) and Ebele Okobi (right)

    Ayana V. Jackson
    HURS

    Bonnie Langedijk, HURS, March 29, 2023
  • Ayana V. Jackson
    The New York Times

    Noor Brara, The New York Times Magazine, July 6, 2022
  • Ian Mwesiga, Dead End, 2021. Courtesy of Mariane Ibrahim

    J'ai Deux Amours...
    Le Monde

    Roxana Azimi, Le Monde, September 22, 2021
  • “J’ai Deux Amours” at Mariane Ibrahim Gallery Paris. Photography by Fabrice Gousset

    J'ai Deux Amours...
    Surface Magazine

    RYAN WADDOUPS, Surface Mag, September 16, 2021
  • Portrait of Mariane Ibrahim. Photo by Fabrice Gousset

    J'ai Deux Amours...
    Architectural Digest

    Gay Gassmann, Architectural Digest, September 15, 2021
  • Ayana V. Jackson
    Elephant Magazine

    Elephant Magazine, September 6, 2021
  • Pictured Top Left: Ayana V. Jackson, Moments of Sweet Reprieve, 2016. Courtesy of Mariane Ibrahim

    Ayana V. Jackson
    Celebrating the Fullness of Black Lives

    The New York Times, August 9, 2020
  • Ayana V. Jackson, Judgement of Paris, 2018. Courtesy of Mariane Ibrahim.

    Ayana V. Jackson
    Riffs and Relations

    Experiment Station, The Phillips Collection, April 21, 2020
  • Ayana V. Jackson, Moments of Sweet Reprieve, 2017. Courtesy of Mariane Ibrahim.

    Ayana V. Jackson
    Truthful Visions of Black Identity

    Daria Harper, Artsy, April 13, 2020
  • Installation view, Ayana V. Jackson. Courtesy of Mariane Ibrahim Gallery

    Ayana V. Jackson
    8 stands qui en mettent plein la vue à Paris Photo

    Laurène Flinois, BeauxArts, November 7, 2019
  • Mariane Ibrahim
    Visionary Gallery

    Ted Loos, Galerie Magazine
  • Ayana V. Jackson
    Lens of Humanity

    Ayesha Shehmir, Harper's Bazaar Arabia, September 22, 2019
  • Ayana V. Jackson, Double Goddess... A Sighting in the Abyss, 2019. Courtesy Mariane Ibrahim.

    Ayana V. Jackson
    Exploring African Mythic Worlds

    Ayesha Habib, Nuvo Magzine, September 19, 2019
  • Ayana V. Jackson, Consider the Sky and the Sea

    Ayana V. Jackson
    How Has the Camera Been a Tool for Colonialism?

    Charlotte Jansen, Elephant, September 12, 2019
  • Ayana V. Jackson, The rupture was the story, 2019. Courtesy of Mariane Ibrahim.

    Ayana V. Jackson
    This Artist Brings Myths

    Gabrielle Bruney, Artsy, September 9, 2019
  • Ayana V. Jackson, Consider the Sky and the Sea, 2019. Courtesy of Mariane Ibrahim.

    Ayana V. Jackson
    Must-see Gallery Show

    Anna Brady & Margaret Carrigan, The Art Newspaper, September 4, 2019
  • Ayana V. Jackson
    The Top 20

    Karine Monié, Vogue México, September 2, 2019
  • Ayana V. Jackson, Sighting in the Abyss II, 2019. Courtesy of Mariane Ibrahim.

    Ayana V. Jackson
    Autumn Has Arrived

    AnOther Magazine, September 2, 2019
  • Ayana V. Jackson, Double Goddess...A Sighting in the Abyss, 2019. Courtesy of the Artist and Mariane Ibrahim Gallery

    Mariane Ibrahim
    Gallery Moves to Chicago

    Rebecca Holland, Architectural Digest, August 22, 2019
  • Ayana V. Jackson, The rupture was the story, 2019. Courtesy of Mariane Ibrahim.

    Ayana V. Jackson
    Explore African Art

    Louise Miner & Rasmus Elstner, euronews, June 13, 2019
  • Ayana V. Jackson, Stella, 2016

    Ayana V. Jackson
    Photography Reveals the Uniqueness of the Human Body

    Seph Rodney, Hyperallergic, May 30, 2019
  • Ayana V. Jackson, Moments of Sweet Reprieve, 2017. Courtesy of Mariane Ibrahim.

    Ayana V. Jackson
    Broadening the Landscape of Blackness

    Fiona R. Greenland, Contexts, August 12, 2018
  • Clay Apenouvon's work in Mariane Ibrahim Gallery’s booth at Seattle Art Fair, 2015. Mariane Ibrahim.

    Mariane Ibrahim
    How Black Artists, Dealers, and Collectors Are Boosting the Careers of Their Younger Peers

    Antwaun Sargent, Artsy, December 14, 2017
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