Lorraine O'Grady

Rivers, First Draft, or The Woman in Red

  • Lorraine O'Grady, Rivers, First Draft: A Little Girl with Pink Sash memorizes her Latin lesson, 1982/2015
    Rivers, First Draft: A Little Girl with Pink Sash memorizes her Latin lesson, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: As if from its pages, the Nude Swimmer emerges from the water and fondles her, 1982/2015
    Rivers, First Draft: As if from its pages, the Nude Swimmer emerges from the water and fondles her, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: As the Black Artists in Yellow work in their studio, the Debauchees enter at the top of the hill, 1982/2015
    Rivers, First Draft: As the Black Artists in Yellow work in their studio, the Debauchees enter at the top of the hill, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: Preceded by the Nantucket Memorial, the three make their way down, 1982/2015
    Rivers, First Draft: Preceded by the Nantucket Memorial, the three make their way down, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: She descends to the stream where the white stove is standing, 1982/2015
    Rivers, First Draft: She descends to the stream where the white stove is standing, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: She is absorbed, but the Memorial insists, 1982/2015
    Rivers, First Draft: She is absorbed, but the Memorial insists, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Art Snobs briefly stop bantering, 1982/2015
    Rivers, First Draft: The Art Snobs briefly stop bantering, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Art Snobs comment for the last time, 1982/2015
    Rivers, First Draft: The Art Snobs comment for the last time, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Art Snobs’ chatter continues, 1982/2015
    Rivers, First Draft: The Art Snobs’ chatter continues, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Artists in Yellow work on their projects as the Woman in Red struggles with the Debauchees, 1982/2015
    Rivers, First Draft: The Artists in Yellow work on their projects as the Woman in Red struggles with the Debauchees, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Debauchees dance down the hill, the Woman in Red falls further behind, 1982/2015
    Rivers, First Draft: The Debauchees dance down the hill, the Woman in Red falls further behind, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Debauchees dance in place, and the Woman in Red catches up to them, 1982/2015
    Rivers, First Draft: The Debauchees dance in place, and the Woman in Red catches up to them, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Debauchees dance to New Wave music with the Woman in Red following, 1982/2015
    Rivers, First Draft: The Debauchees dance to New Wave music with the Woman in Red following, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Debauchees ignore the Woman in Red, 1982/2015
    Rivers, First Draft: The Debauchees ignore the Woman in Red, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Debauchees intersect the Woman in Red, and the rape begins, 1982/2015
    Rivers, First Draft: The Debauchees intersect the Woman in Red, and the rape begins, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Nantucket Memorial blends into the granite and the stream, 1982/2015
    Rivers, First Draft: The Nantucket Memorial blends into the granite and the stream, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Nantucket Memorial guides the Woman in Red to the other side of the stream, 1982/2015
    Rivers, First Draft: The Nantucket Memorial guides the Woman in Red to the other side of the stream, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Nantucket Memorial stands motionlessly in the stream, 1982/2015
    Rivers, First Draft: The Nantucket Memorial stands motionlessly in the stream, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The stove becomes more and more red, 1982/2015
    Rivers, First Draft: The stove becomes more and more red, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Teenager curls up in a fetal position, 1982/2015
    Rivers, First Draft: The Teenager curls up in a fetal position, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Teenager in Magenta sits alone with her headphones, 1982/2015
    Rivers, First Draft: The Teenager in Magenta sits alone with her headphones, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Teenager in Magenta stands depressed on the bank of the stream, 1982/2015
    Rivers, First Draft: The Teenager in Magenta stands depressed on the bank of the stream, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The three enter the stream, 1982/2015
    Rivers, First Draft: The three enter the stream, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman in Gold rejects the Woman in Red, 1982/2015
    Rivers, First Draft: The Woman in Gold rejects the Woman in Red, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman in Red begins to break away from the Debauchees, 1982/2015
    Rivers, First Draft: The Woman in Red begins to break away from the Debauchees, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman in Red cooks, and the Teenager in Magenta lies curled across the stream, 1982/2015
    Rivers, First Draft: The Woman in Red cooks, and the Teenager in Magenta lies curled across the stream, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman in Red goes to the Black Male Artists’ door and the Debauchees dance back up the hill, 1982/2015
    Rivers, First Draft: The Woman in Red goes to the Black Male Artists’ door and the Debauchees dance back up the hill, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman in Red hesitates outside after the Black Male Artists in Yellow eject her, 1982/2015
    Rivers, First Draft: The Woman in Red hesitates outside after the Black Male Artists in Yellow eject her, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman in Red returns to her album, and the Nantucket Memorial comes to life, 1982/2015
    Rivers, First Draft: The Woman in Red returns to her album, and the Nantucket Memorial comes to life, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman in Red starts painting the stove her own color, 1982/2015
    Rivers, First Draft: The Woman in Red starts painting the stove her own color, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman in Red tries to join the Black Male Artists but is ejected by them, 1982/2015
    Rivers, First Draft: The Woman in Red tries to join the Black Male Artists but is ejected by them, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman in Red walks toward the studio of the Black Artists in Yellow, 1982/2015
    Rivers, First Draft: The Woman in Red walks toward the studio of the Black Artists in Yellow, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman in Red, on a bed jutting into the water, skims an accordion-folded album of photos, 1982/2015
    Rivers, First Draft: The Woman in Red, on a bed jutting into the water, skims an accordion-folded album of photos, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman in Red, the Teenager in Magenta, and the Little Girl in Pink Sash wade the stream, 1982/2015
    Rivers, First Draft: The Woman in Red, the Teenager in Magenta, and the Little Girl in Pink Sash wade the stream, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman in the White Kitchen tastes her coconut, 1982/2015
    Rivers, First Draft: The Woman in the White Kitchen tastes her coconut, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman in White continues grating coconut, 1982/2015
    Rivers, First Draft: The Woman in White continues grating coconut, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman in White eats coconut and looks away from the action, 1982/2015
    Rivers, First Draft: The Woman in White eats coconut and looks away from the action, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman in White grates coconut in her kitchen with the fir-palm tree outside, 1982/2015
    Rivers, First Draft: The Woman in White grates coconut in her kitchen with the fir-palm tree outside, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman in White works impassively, 1982/2015
    Rivers, First Draft: The Woman in White works impassively, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Woman, the Teenager in Magenta, and the Little Girl in Pink Sash steady each other’s footing, 1982/2015
    Rivers, First Draft: The Woman, the Teenager in Magenta, and the Little Girl in Pink Sash steady each other’s footing, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Young Man in Green enters the scene, 1982/2015
    Rivers, First Draft: The Young Man in Green enters the scene, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Young Man in Green makes love to the Teenager in Magenta, 1982/2015
    Rivers, First Draft: The Young Man in Green makes love to the Teenager in Magenta, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Young Man in Green rouses the Teenager from depression, 1982/2015
    Rivers, First Draft: The Young Man in Green rouses the Teenager from depression, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Young Man prepares to leave, and the Teenager tries to hold on to him, 1982/2015
    Rivers, First Draft: The Young Man prepares to leave, and the Teenager tries to hold on to him, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: The Young Man pulls away, 1982/2015
    Rivers, First Draft: The Young Man pulls away, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: Their flirtation begins, 1982/2015
    Rivers, First Draft: Their flirtation begins, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: They exit the bridge tunnel at The Loch’s end, 1982/2015
    Rivers, First Draft: They exit the bridge tunnel at The Loch’s end, 1982/2015
  • Lorraine O'Grady, Rivers, First Draft: Two Art Snobs dissect who’s who and what’s what in the art world, 1982/2015
    Rivers, First Draft: Two Art Snobs dissect who’s who and what’s what in the art world, 1982/2015