Eva Jospin, Forêt troglodyte, 2024. Courtesy of the artist and Mariane Ibrahim.
Lush Growths and Classical Architecture Converge in Eva Jospin’s Meticulous Sculptures
In her exhibition Vanishing Points at Mariane Ibrahim Chicago, Parisian artist Eva Jospin merges human-made environments with the natural world, envisioning them as one cohesive entity. Known for carving intricate landscapes and architectural forms from cardboard, Jospin uses the material's corrugated texture to create depth and complexity.
The exhibition features large-scale freestanding sculptures and wall works that invite viewers into detailed, immersive worlds. Drawing from the 18th-century tradition of architectural follies — ornate structures in Baroque gardens designed for decoration — Jospin's work portrays a convergence between nature and human craftsmanship. In pieces like Forêt troglodyte, she depicts vines overtaking structures, blending organic elements like sea sponges with sculptural forms. The exhibition invites contemplation on perspective and the ways in which small details alter our perception.
Excerpted words written by Grace Ebert for Colossal.
