Raphaël Barontini
Art Basel

Raphaël Barontini meets journalist Caroline Honorien at his studio to discuss his journey to becoming an artist. On the eve of his exhibition at Palais de Tokyo, titled Somewhere in the Night, the People Dance, the Parisian painter retraces how his Caribbean carnival roots and his family’s musical background shaped his artistic path.

 

Barontini initially expressed himself through music, especially the communal aspect of Caribbean carnivals, before transitioning to visual arts. Influenced by artists like Romare Bearden and Sam Gilliam, he developed a style that merges political activism, performance, and visual art. His work often involves creating textile art, such as banners and costumes, that engage with public spaces and social movements.

 

Central to his practice is collaboration, particularly with those from non-art backgrounds. His activism continues to influence his work, as seen in projects like his Panthéon exhibition, which addresses slavery and reclaims space for historical reflection. Through his reflections, Barontini demonstrates how his Caribbean heritage, artistic influences, and commitment to activism shape his evolving practice.