Ayana V. Jackson
Mary Fields: With a jug of Whiskey by her Foot, a pistol packed Under her apron, and a shotgun by her side, 2023
Archival pigment print on German etching paper
47 1/4 x 59 in
120 x 150 cm
120 x 150 cm
Edition of 8 plus 3 artist's proofs
Series: You forgot to see me coming
Ayana V. Jackson’s Mary Fields pays tribute to one of the most notorious figures of the American frontier. Mary Fields, born into slavery in Tennessee, later forged her path in...
Ayana V. Jackson’s Mary Fields pays tribute to one of the most notorious figures of the American frontier. Mary Fields, born into slavery in Tennessee, later forged her path in Montana as a fearless stagecoach driver and postal carrier. Renowned for her independence, she carried a .38 pistol under her apron, a jug of whiskey by her side, and a shotgun within reach. Her fierce determination made her one of the most iconic Black women of the frontier era. Jackson's representation of Fields draws from archival imagery to create an authentic yet reimagined portrait. The outfit, inspired by historical references, includes a signature apron—a nod to Fields’ practical attire. Jackson incorporated a blue tone for the apron to contrast with the darker hues of the dress, highlighting this iconic garment while offering a modern visual interpretation.
To prepare for this work, Jackson trained in San Antonio to ride side saddle and performed the piece on Nairobi, the horse she trained on. This work is part of Jackson’s larger series, You Forgot to See Me Coming, first exhibited at Mariane Ibrahim in Mexico City. Produced with support from the Alturas Foundation during Jackson’s fellowship, the series reexamines historical narratives, centering the experiences of Black and Brown women on the frontier. By combining personal embodiment and historical research, Jackson creates a vivid homage to Mary Fields, celebrating her strength and resilience while reclaiming a space in history that has often overlooked women like her.
To prepare for this work, Jackson trained in San Antonio to ride side saddle and performed the piece on Nairobi, the horse she trained on. This work is part of Jackson’s larger series, You Forgot to See Me Coming, first exhibited at Mariane Ibrahim in Mexico City. Produced with support from the Alturas Foundation during Jackson’s fellowship, the series reexamines historical narratives, centering the experiences of Black and Brown women on the frontier. By combining personal embodiment and historical research, Jackson creates a vivid homage to Mary Fields, celebrating her strength and resilience while reclaiming a space in history that has often overlooked women like her.
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