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Open a larger version of the following image in a popup: Ayana V. Jackson, Mary Fields: One of the Freest Souls ever to draw a breath or a thirty-eight, 2023

Ayana V. Jackson

Mary Fields: One of the Freest Souls ever to draw a breath or a thirty-eight, 2023
Archival pigment print on German etching paper
47 1/4 x 59 in
120 x 150 cm
Edition of 8 plus 3 artist's proofs
Series: You forgot to see me coming
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An interpretation of the real-life trailblazer, this portrait merges myth with truth. Jackson confronts the archive’s erasure of Black women’s autonomy by restaging it herself. Here, photography becomes resistance: not...
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An interpretation of the real-life trailblazer, this portrait merges myth with truth. Jackson confronts the archive’s erasure of Black women’s autonomy by restaging it herself. Here, photography becomes resistance: not to record the past, but to rescript what we were never allowed to see. Shown in Gallery Two: Colonialism And The Forgetting Of Afro Heritage at PhotoEspana in Nosce Te Ipsum: Membrum Fantasma.
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